EXPLORING COMPOSITING TECHNIQUES
Making compositing part of your projects
Shooting videos with compositing in mind
Working with the Opacity effect
Combine layers based on a blend mode
Working with alpha-channel transparencies
Using video effects that work with graphic-file alpha channels
Color keying a green-screen shot with Ultra Key
Using the Ultra Key effect
Using matte keys
Using mattes that use graphics or other clips
Using Track Matte Key
Making a traveling matte
Shooting videos with compositing in mind
Working with the Opacity effect
Combine layers based on a blend mode
Working with alpha-channel transparencies
Using video effects that work with graphic-file alpha channels
Color keying a green-screen shot with Ultra Key
Using the Ultra Key effect
Using matte keys
Using mattes that use graphics or other clips
Using Track Matte Key
Making a traveling matte
WORKING WITH COLOUR, NESTED SEQUENCES, AND SHORTCUTS
An overview of color-oriented effects
Colouring effects
Colour removal or replacement
Colour correction
Technical colour effects
Adjusting and enhancing colour
The Leave Colour effect
The Change to Colour effect
Colour correction
The Colour Balance (RGB) effect
The Auto Colour effect
The Fast Colour Corrector effect
Using nested sequences
Multiple uses for nested sequences.
Nesting a video in a newspaper
Nesting clips
Getting to know the recommended keyboard shortcuts
Changing a shortcut
Most frequently used shortcuts
Colouring effects
Colour removal or replacement
Colour correction
Technical colour effects
Adjusting and enhancing colour
The Leave Colour effect
The Change to Colour effect
Colour correction
The Colour Balance (RGB) effect
The Auto Colour effect
The Fast Colour Corrector effect
Using nested sequences
Multiple uses for nested sequences.
Nesting a video in a newspaper
Nesting clips
Getting to know the recommended keyboard shortcuts
Changing a shortcut
Most frequently used shortcuts
MANAGING YOUR PROJECTS
Project menu overview
Making a clip offline
Using the Project Manager
Working with a trimmed project
Collecting files and copying them to a new location
Final project management steps
Importing projects or sequences
Making a clip offline
Using the Project Manager
Working with a trimmed project
Collecting files and copying them to a new location
Final project management steps
Importing projects or sequences
EXPLORING ADOBE ONLOCATION CS5
Setting up Adobe OnLocation
Calibrating your camera with Camera Setup Assistant
Setting up your frame
Setting your focus
Setting your iris/exposure
Setting your white balance
Recording live video
Recording video to a shot list
Analyzing video with Adobe OnLocation
Working with the Waveform Monitor
Analyzing color with the Vectorscope
Analyzing audio with Adobe OnLocation
Importing clips not captured with Adobe OnLocation
Importing OnLocation clips with the Adobe Premiere Pro Media Browser
Calibrating your camera with Camera Setup Assistant
Setting up your frame
Setting your focus
Setting your iris/exposure
Setting your white balance
Recording live video
Recording video to a shot list
Analyzing video with Adobe OnLocation
Working with the Waveform Monitor
Analyzing color with the Vectorscope
Analyzing audio with Adobe OnLocation
Importing clips not captured with Adobe OnLocation
Importing OnLocation clips with the Adobe Premiere Pro Media Browser
USING PHOTOSHOP AND AFTER EFFECTS TO ENHANCE YOUR VIDEO PROJECTS
Exploring Adobe Creative Suite 5 Production Premium
Importing Adobe Photoshop files as sequences
Re-creating the lower-third animation
Using Dynamic Link with After Effects
Surveying After Effects features
Looking at the Adobe After Effects workspace
Animating the lower third Importing a project from Adobe After Effects to Adobe Premiere Pro using
Adobe Dynamic Link
Editing an existing dynamically linked animation
Replacing a clip with an After Effects composition
Importing Adobe Photoshop files as sequences
Re-creating the lower-third animation
Using Dynamic Link with After Effects
Surveying After Effects features
Looking at the Adobe After Effects workspace
Animating the lower third Importing a project from Adobe After Effects to Adobe Premiere Pro using
Adobe Dynamic Link
Editing an existing dynamically linked animation
Replacing a clip with an After Effects composition
EXPORTING FRAMES, CLIPS, AND SEQUENCES
Overview of export options
Checking out export options
Recording to tape
Recording to an analog recorder without device control
Exporting single frames
Exporting a single frame via the Export Frame function
Using the Export Settings dialog
Working with Adobe Media Encoder
Format overview
Using the formats
Exporting to mobile devices
Exporting to Final Cut Pro
Working with edit decision lists
Checking out export options
Recording to tape
Recording to an analog recorder without device control
Exporting single frames
Exporting a single frame via the Export Frame function
Using the Export Settings dialog
Working with Adobe Media Encoder
Format overview
Using the formats
Exporting to mobile devices
Exporting to Final Cut Pro
Working with edit decision lists
AUTHORING DVDS WITH ADOBE ENCORE CS5
Overview of DVD authoring in Adobe Premiere Pro
Adding Adobe Encore chapter markers to the Timeline
Creating an autoplay DVD
Creating a menu DVD
Previewing the DVD
Creating a Blu-ray Disc
Exporting DVD projects to Flash
Adding Adobe Encore chapter markers to the Timeline
Creating an autoplay DVD
Creating a menu DVD
Previewing the DVD
Creating a Blu-ray Disc
Exporting DVD projects to Flash
